The Real McCARTHY Essay Example For Students

The Real McCARTHY Essay Cormac McCarthy, the author of many American styled novels such as Blood Meridian, All the Pretty Horses, and The Crossing, writes very good stories that appeal to the senses and the soul. He doesnt have famous writing heroes that give him an inspiration to write, nor give him ideas of what to write. Because of this lack of models, McCarthy has some characteristics of other famous American authors, but for the most part he uses a unique style of writing that is shown in all of his novels, and ties together The Crossing and its predecessor All the Pretty Horses using expressive theme, obscure symbols, eerie motifs, and a unequaled prose. We will write a custom essay on The Real McCARTHY specifically for you for only $16.38 $13.9/page Order now When looking at McCarthys writing as a whole, one can see a style that is beyond the norm. Critics compare his work to life in our world, his singular ability to convey the world not so much as a place of pigeon holes but rather of endless questions, none more clearly explained than another (Young 100), and they compare his work to life beyond the realm of our world, McCarthys metaphysical assumptions are existential. Human consciousness of the past exists within each person in memories and contacts, held in an ongoing meaning by individuals as fragments, subject to loss as memory dims and subject to arbitrary changes without order or meaning (Richey 141). These same critics compare McCarthys writing to past writers saying that McCarthy shares some aspects of his writing with Thomas Pynchon, Edmund Wilson, Saul Bellow, and James Joyce. A sophisticated reader on first looking into Joyces Ulysses might well wonder about the meaning of what is going on. A reader on first looking into McCarthys fiction might well wonder, just what is going on (Aldridge 90). Aldridge also goes on to say that McCarthy is fantastically gifted. Critics also state that: Aristotle and E.M. Forster would not have approved with McCarthys style (Aldridge 96). The classic authors may not have approved with McCarthys style because of his use of extreme violence. Sociopaths, serial killers, necrophiliacs, and murders populate pages wherein mayhem, blood, and generally malevolence dominate his works (Richey 140). The most perfect example of McCarthys original style is visible through his latest two novels entitled All the Pretty Horses and The Crossing, the first two installments of the Border Trilogy. These books show a transformation of McCarthys style from an utter non-stop violent rampage (Blood Meridian), to a style that contains morals, theme and heart. McCarthy possesses an extremely narrow vision condition of the human and almost no vision of the subtler complexities of human feeling and thought. These deficiencies began to be evident in the early fiction but were to a degree camouflaged by the high elegance of the prose and the idiosyncratic originality of the fictional forms. In the first two books of the Border trilogy they have become more clearly visible, because the prose is no longer elegant and the form is wide open and relentlessly picaresque (Aldridge 97). Another bond between the two novels, is the sharing of character traits. The protagonists, John Grady Cole, and Billy Parham from All the Pretty Horses and The Crossing, respectively, share similar quests and themes. The two Border Trilogy novels have shown characters who love and weep and seem to have much in common with that part of the human species not labeled as murderers and evildoers (Richey 141). John and Billy both traveled to Mexico on multiple occasions, giving the novels the label The Border Trilogy. However even though they had alike characteristics, their purposes for traveling were different and they both went about achieving their goals in different manners. While Billy focused on the need to mete out a personal justice, John rushed headlong into the swirling chaos which surrounds him (Young 99). McCarthy, being the genius that he is, also tied the two books together with character, by ending both novels in the same fashion. At the end of The Crossing Billy, like John Grady, is on the road again, drifting from one menial job to another, having nothing to show for his wandering and presumably destined to come to nothing (Aldridge 96). How does McCarthys use of character tie into his style? Its simple. McCarthy is able to use parallel themes between these novels which gives the sense of a sequel. The Crossing is not a traditional sequel; it is not a continuation of a story in the normal sense, but an extension of themes, setting and character (Young 99). Theme will be explored more deeply later in this essay, but to show the parallels which create the notion of a sequel, John Grady and Billy Parhams connection in terms of theme should be investigated. Two of these such themes are Young men in search of their place in the world fate versus destiny (Young 99), and The mystery of the bond between siblings/ friends (Ryan 1822). McCarthys style of putting men against the rest of the world is evident throughout all of his novels. The strong bond between men is really only explored in The Border Trilogy, but McCarthy does a beautiful job of it. .u64b7de49195698d616fd488f5e8b104d , .u64b7de49195698d616fd488f5e8b104d .postImageUrl , .u64b7de49195698d616fd488f5e8b104d .centered-text-area { min-height: 80px; position: relative; } .u64b7de49195698d616fd488f5e8b104d , .u64b7de49195698d616fd488f5e8b104d:hover , .u64b7de49195698d616fd488f5e8b104d:visited , .u64b7de49195698d616fd488f5e8b104d:active { border:0!important; } .u64b7de49195698d616fd488f5e8b104d .clearfix:after { content: ""; display: table; clear: both; } .u64b7de49195698d616fd488f5e8b104d { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u64b7de49195698d616fd488f5e8b104d:active , .u64b7de49195698d616fd488f5e8b104d:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u64b7de49195698d616fd488f5e8b104d .centered-text-area { width: 100%; position: relative ; } .u64b7de49195698d616fd488f5e8b104d .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u64b7de49195698d616fd488f5e8b104d .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u64b7de49195698d616fd488f5e8b104d .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u64b7de49195698d616fd488f5e8b104d:hover .ctaButton { background-color: #34495E!important; } .u64b7de49195698d616fd488f5e8b104d .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u64b7de49195698d616fd488f5e8b104d .u64b7de49195698d616fd488f5e8b104d-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u64b7de49195698d616fd488f5e8b104d:after { content: ""; display: block; clear: both; } READ: Rwanda Genocide EssayCormac McCarthy utilizes many literary techniques in his writing. Original symbols, motifs, and themes appear throughout the pages of McCarthys writing. Not only are the techniques original, but McCarthy has a unique way of bringing these techniques forward. To show how McCarthy brings forth symbols, motifs, and themes, we must first explore his original use of these techniques within his writing. The Border Trilogy, contains all of these techniques so, all of the examples will be coming from either All the Pretty Horses or The Crossing. Strong writing, needs strong bonds. The bonds that hold together McCarthys works are the themes of his novels. Not only does McCarthy have themes that are found in other authors novels, but he has themes of his own. Common themes are Fate versus destiny and familial separation (Young 95), whereas one of his original themes is Adolescent boys riding into Mexico and finding themselves caring, losing and learning what dimensions of life mean (Richey 140). Themes can be found sporadically or placed in certain orders throughout a novel. McCarthy utilizes both of these particular style, yet he also use motifs to show his original form. A motif is a recurrent thematic element in an artistic or literary work (Microsoft). Motifs are not new by any means. However, McCarthys use of them is somewhat new and original in nature. He is able to not only create motifs throughout singular novels, but have multiple novels tied together with the same motif. The major events in the remainder of The Crossing are apparently intended to serve as counterpoint to those of the first section, since they involve a reoccurrence of the opening motifs of violent death and the transport and burial of a corpse, this time human rather than animal (Aldridge 96). In The Crossing, McCarthy tied together the wolfs gut-wrenching thematic death to Boyds violent climactic death. In All the Pretty Horses, McCarthy tied together John and Rawlins stupid choice to find work in Mexico to their heroic run from the law. McCarthys best examples of motifs arent just tied into the Border Trilogy. McCarthy has one motif that is shared in all of his novels. This not only makes him a unique author, but a literary genius. For McCarthy, blood clearly symbolizes life as a mean end, and for him its connection is constantly threatened by the reality of evil portrayed in violence (Richey 141). Characters play important roles in expressing theme in McCarthys novels. In the Border Trilogy, McCarthy uses small characters to express morals and lessons to John Grady and Billy Parham. In All the Pretty Horses, John meets a grand panjandrum of a jail gang who teaches him to live life carefully and trust no one, not even himself. In The Crossing, Billy meets an old blind man who tells Billy about the changing times. McCarthys use of these types of characters is found throughout all of his novels and are unique to his style. Literary techniques are not all of McCarthys unique aspects. He writes with a unique use (or lack of use) of punctuation and grammar. Commas, quotation marks and sentence endings are very hard to find. In fact, there are no quotation marks in his novels. The following passage shows one sentence that is obviously run-on, but it flows in such a way that it doesnt need periods to separate it. He heard in the melee a staple pop and he suddenly saw as in an evil dream the specter of the horse at full gallop on the plain with the wolf behind at the end of the rope and the dogs in wild pursuit and he snatched the rope from about the saddlehorn just as the reins broke and the horse wheeled and went pounding and he turned with the rifle and the wolf to stand off the dogs suddenly all about him in a bedlam of howling and teeth and whited eyes (McCarthy 64). .u63a5bafd6216b18d19404e26655c82f3 , .u63a5bafd6216b18d19404e26655c82f3 .postImageUrl , .u63a5bafd6216b18d19404e26655c82f3 .centered-text-area { min-height: 80px; position: relative; } .u63a5bafd6216b18d19404e26655c82f3 , .u63a5bafd6216b18d19404e26655c82f3:hover , .u63a5bafd6216b18d19404e26655c82f3:visited , .u63a5bafd6216b18d19404e26655c82f3:active { border:0!important; } .u63a5bafd6216b18d19404e26655c82f3 .clearfix:after { content: ""; display: table; clear: both; } .u63a5bafd6216b18d19404e26655c82f3 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u63a5bafd6216b18d19404e26655c82f3:active , .u63a5bafd6216b18d19404e26655c82f3:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u63a5bafd6216b18d19404e26655c82f3 .centered-text-area { width: 100%; position: relative ; } .u63a5bafd6216b18d19404e26655c82f3 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u63a5bafd6216b18d19404e26655c82f3 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u63a5bafd6216b18d19404e26655c82f3 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u63a5bafd6216b18d19404e26655c82f3:hover .ctaButton { background-color: #34495E!important; } .u63a5bafd6216b18d19404e26655c82f3 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u63a5bafd6216b18d19404e26655c82f3 .u63a5bafd6216b18d19404e26655c82f3-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u63a5bafd6216b18d19404e26655c82f3:after { content: ""; display: block; clear: both; } READ: Solutions For Social Security EssayThe images produced by this passage are ones that are so compelling, that punctuation is not needed to break it apart. The National Book Award winning author, Cormac McCarthy has his own unique style that is clearly evident when reading his work: His use of violence, blood, and human growing are themes and motifs that he uses to produce a message that appeals to all senses; His own style of prose and punctuation; The pictures drawn by his words; These things may not seem so significant apart, but when McCarthy puts them together, he creates a masterpiece of writing that only he could do. Works CitedAldridge, John W. Cormac McCarthys Bizarre Genius. Atlantic Monthly 274 (1994): 89-98. Iyer, Pico. Leaning Toward Myth. Partisan Review 62 (1995): 309-14. McCarthy, Cormac. The Crossing. New York: Vintage Books, 1995. Microsoft Interactive Dictionary, 1995. Richey, Jean. The Crossing Like Horses, But Different. World Literature Today November 1994: 140-41. Ryan, William G. The Crossing. American Journal of Psychiatry 151 (1994): 1822. Young, Glen D. The Border Trilogy. English Journal 84 (1995): 99-100.

Travelling Through the Dark by William Stafford

Travelling Through the Dark by William Stafford Living in a modern world people often have to face with several moral and ethical dilemmas that disclose their readiness to act. Each person, sooner or later, will have to make an important choice and take responsibility for a crucial decision. The problem is that the choices and decisions we make do not only affect our moral ideals, but also the world surrounding us.Advertising We will write a custom essay sample on Travelling Through the Dark by William Stafford specifically for you for only $16.05 $11/page Learn More Concerning this, William Stafford’s poem called Travelling through the Dark metaphorical discloses the importance of taking actions rather than observing, which is especially vital in unexpected situations. Otherwise, ignorance and failure to make an immediate decision can be fraught with severe consequences and, therefore, acting correctly and following moral and ethical implications is a duty of each in the world. The poem is a metap horical disclosure of the necessity to take immediate actions rather than observe. Hence, the poet discloses a person’s attitude to the essence of morale and its importance while making tough choices (Mendelson and Bryfonski 461). Though the plot is quite simple for understanding, it enables readers to conceive how a person acts and behaves while encountering challenging situations as well as what the speaker feels while depriving deer of life. Hence, when the stops the car to check what was wrong, he realizes that the situation was far more complicated than he expected. Although he first thinks that â€Å"it is usually best to roll them into the canyon: that road is narrow,† but his further reflections prove that he is not indifferent to what happened (Stafford 936, line 3). The speaker did not neglect the tragedy and thought over the way to act correctly in this situation and find the morally justified solution. In particular, he tries to explain his decision to put the deer aside the road as this can save more lives: â€Å"that road is narrow, to swerve might make more dead† (Stafford 936 line 4). However, he immediately withdrew this idea and started thinking of more ethically right alternatives. Making a choice is always a real challenge for the speaker leading him to the analysis of the meaning of darkness, which is often associated with uncertainty, ambiguity, and the unknown. Perhaps, this metaphorical representation of future and life creates even more hesitations and doubts toward the rightfulness of all human actions in terms of morale and ethics (Mendelson and Bryfonski 462) Hence, when the speaker finds a dead deer, the first thought that occurs to his mind is â€Å"to roll them into the canyon† (Stafford 936 line 3). At the same moment, the hesitation comes to rescue the situation forth.Advertising Looking for essay on american literature? Let's see if we can help you! Get your first paper with 15% OFF Learn More The state of ambiguity is also recognized by the speaker who also provides the readers with a sign moral consideration: â€Å"Beside the mountain road I hesitated† (Stafford 936 line 12). This hesitation also reveals the idea that a person is ready to provide help and act morally. In the poem, the speaker is in the front of an important decision that the audience expects from him to do: â€Å"around our group, I could hear the wilderness listen† (Stafford 936 line 16). However, he realizes that swerving is risky because a car might fall into the canyon causing more human deaths. In the poem, Stafford does not only reflect on moral dilemmas and significance of human resolute actions and participation but on a person’s moral duty to preserve life. Therefore, people often tend to take steps instead to observe, specifically when it is a matter of life and death. When the speaker decides to interfere, he expresses his readiness and moral duty to he lp: â€Å"By glow of the tail-light I stumbled back of the car and stood by the heap, a doe, recent killing; She had stiffened already, almost cold. I dragged her off; she was large in the belly† (Stafford 936 lines 4-8). Here, the speaker is bold enough to get out of his car and pull the dead deer aside. Also, the author’s realization of the importance of life is followed by guilty consciousness that is concealed in his attempt to check whether the deer is alive. The speaker realizes that the dear is about to deliver a fawn, but he realizes that he can do nothing but make a difficult choice: â€Å"her fawn lay there waiting alive, still, never to be born† (Stafford 936, lines 10-11). Hence, the very thinking of the possibility to save a life serves the speaker as an excuse for his refusal to help. Despite his difficult choice, the speaker still realizes the sacredness of life. After a thorough analysis of the poem, it is possible to deeper understand the role o f human deeds as well as their readiness to participate rather than to observe. The topic presented in the poem contributes significantly to realizing the essence of human life as well as the way it is affected both by nature and civilized world. More importantly, it also reveals the situations immediate decisions and actions are signifiers of morally justified choice. In the poem, the speaker did not ignore the situation and decided to act immediately under moral and ethical decisions.Advertising We will write a custom essay sample on Travelling Through the Dark by William Stafford specifically for you for only $16.05 $11/page Learn More Mendelson, Ed. Phyllis Carmel, and Dedria Bryfonski. William Stafford (1914-). Contemporary Literary Criticism. Detroit: Gale Research, 1977. Stafford, William. Traveling Through the Dark. In Literature, Introduction to Fiction, Poetry, Drama, and Writing. Ed. X. J. Kennedy and Dana Gioia. UK: Longman, 2006.

Foreign Ethics Coursework Example | Topics and Well Written Essays - 250 words

Foreign Ethics - Coursework Example The rural parents view children as an investment because they provide labor for agricultural production. The children are also a resource because they help in taking care of their siblings. Since the families cannot afford to employ nannies, the elder children have to look after their younger siblings. Besides, parents expect the children to support them financially during their old age (Kiriti & Tisdell 2013). Things are, however, different in the U.S. There are no parents who opt to have many children. Most parents limit to one or two children. It is widely regarded as unethical for couples to have many children because most parents are economically stable. A couple with several children cannot afford to give each of them appropriate parental attention (AAP 2015). In addition, giving birth in large numbers would add more people to the already populated country. Kiriti, T., & Tisdell, C. (2013). Family size, economics and child gender preference: A case study in the Nyeri district of Kenya. Social Economics International Journal of Social Economics, 492-509. Retrieved July 3, 2015, from http://www.uq.edu.au/rsmg/docs/ClemWPapers/SEPD/WP